Dasha Loyko Greer
Dasha Loyko-Greer (b.1995 Minsk, Belarus) is an interdisciplinary artist based in London. She works predominantly across written and performed language, gestural painting, and multisensory installation.
Grounded in her early training in philosophy and her interest in expanded states of consciousness, Loyko-Greer considers self-exploration as a tool for understanding the nature of reality. She questions the subconscious narratives we use to frame our experience, seeking to make them visible, malleable, and unfixed. In particular, she is interested in the self- and reality-defining scripts we internalise in response to fear, guilt, shame, and trust in authority.
Her work is playful and irreverent. Frequently employing her voice and somatic practices as well as intuitive mark-making, free association, and wordplay in order to break out of her own habits of perception, Loyko-Greer describes her work as a celebration of consciousness.
Dasha Loyko-Greer holds an MA from the Royal College of Art in Contemporary Art Practice (2019) and a BSc from the London School of Economics in Philosophy, Logic & Scientific Method (2017). She has had two solo exhibitions in London, at lake (2023) and Harlesden High Street (2019). Her work has been shown at Liverpool Independents Biennial, MK Gallery, Gossamer Fog, Science Museum, Horse Hospital, among others. Her writing has been published in two collections by Prototype (2021, 2023) and as a solo publication by If a Leaf Falls Press (2023). She holds an Exceptional Talent endorsement from the Arts Council England (2020).
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Find out more:
Resist Science Fiction (installation view)
Harlesden High Street, London
2019
Georgios, Gravity & God (installation view)
Lake, London
2023
Artist interview:
How would you describe your artistic practice?
I describe my practice as a celebration of consciousness. Though forms like installation, painting, and writing recur, it is materially open-ended and process-driven. I use the tools I have developed through my formal training as an artist and my early training in philosophy as well as through personal investigations into psychic phenomena and my work as a mentor. My work is rooted in somatic practices, logical paradoxes, and word-play, with the ultimate aim to facilitate a space of radical trust in our subjective interpretation of reality.
What concepts appear consistently in your practice?
Time loops and glitches, memory of the future, fear, games, non-human consciousness, origin of ideas, being a clown, silly jokes, sincere and abundant expressions of love, horny characters, self-mythologising, and anything that helps me break out of my own habits of perception.
What techniques or materials do you frequently use?
By volume - words. Solid form is just a matter of scale. A lot of my bodies of work are hybrids and live across a number of media. I have used everything from cast bronze to my own voice. My current focus is on oil paint and permanent markers. I like to use paint and marker on linen because this combination of materials connects me to a very specific time in my life and I am currently working through this time loop.