A smiling woman with short blonde hair wearing a patterned blouse, standing in an art gallery surrounded by colorful abstract paintings on white walls.

Pascal Koertel

Pascal Koertel, born on 29 April 1997 in Munich, dedicates his art to the connection between past and present. He has been studying at the Academy of Fine Arts Munich in Professor Gregor Hildebrandt's class since 2020.

His works draw on a rich spectrum of inspirations, ranging from mythological tales, fairy tales and Japanese animations. He combines these with his own experiences and impressions of the world to create surreal-looking worlds that invite the viewer to delve deeper into their own imagination.

His works use bold colours and contrasts that are not only bright and intense, but also create a dark, almost mysterious atmosphere. His scenes challenge the viewer's perception and invite them to develop personal stories and thoughts, while at the same time opening up an emotional space in which new and old things can be discovered.

The dialogue between artwork and viewer is at the heart of Koertel's work. Initially there may be a distance between the two, but this dissolves the more the viewer immerses themselves in the created world.

His art invites viewers to venture their own interpretations and to engage with the hidden stories that lie dormant behind the surfaces of his works.

Koertel describes it aptly himself: ‘In my dream world, I wander in search of the fleeting shadows of myself in order to offer viewers the impetus for their own stories.’ He works almost exclusively with natural and precious materials, whereby the blue colour of lapis lazuli, which is used in many of his works, has become his unmistakable trademark.

Through his works, Koertel conveys a balance between luminosity and darkness, between reality and fantasy - always in the field of tension between the stories of the past and the dreams of the present.

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Artist interview:

How would you describe your artistic practice?

My artistic practice is based on observation and research so it often takes a long time before I begin new projects. I draw inspiration from what truly interests and fascinates me. Once this process is complete, a new piece emerges almost effortlessly - a seamless transition from research to execution.

What concepts appear consistently in your practice?

My work, currently revolves around dreams and fantastical worlds. I explore themes that have captivated me since childhood and inspire me today, like anime, manga and fairy tales. These familiar sources of inspiration make the creative process feel playful to me - and that is precisely my concept. Art should bring joy and evoke emotions.

What techniques or materials do you frequently use?

I usually work on a surface reminiscent of porcelain - smooth and glossy - which allows me to apply fine, transparent layers. I paint in oil and use almost exclusively natural pigments. My signature feature is the intense blue of lapis lazuli, which appears in every one of my works.